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Profile
| 1972 |
became a disciple of Tatsumi Hijikata
made a debut as Butoh dancer at "27 Nights for Four Seasons" |
| 1978 |
first solo piece "Wings for Tower" choreographed
by Tatsumi Hijikata |
| 1979-84 |
discontinued dancing and became an Edo-Komon
(Kimono) dyer |
| 1985 |
made a comeback in Hijikata's last work "Tohoku
Kabuki project" |
| 1987-89 |
performed abroad with Natsu Nakajima |
| 1990 |
organized his Butoh company "Kohzensha" |
| 1991 |
a collaboration with membrane sculpture "Blue
Pillar" |
| 1993 |
a collaboration with film "Tales of Light &
Shadow" |
| 1994 |
a seasonal sketch of Japanese body "Wedding
with Field" |
| 1995 |
a collaboration with Japanese drums "Submerged
Waterfall" |
| 1996 |
a travel through 7 Worlds of Butoh choreography
"Butoh Kaden" |
| 1997 |
omnibus with string instruments "Erola ---
Dream of Stone" |
| 1998 |
released CD-ROM "Butoh Kaden" from Justsystem
performed and gave workshop at Indonesia and Korea
solo performance "Bone of Earth", dedicated to 13th anniversary of
Hijikata's death |
| 1999 |
a folklore sketch of Japan "House of Spring"
teach at Waseda University, department of literature
participate festival RIBA in Klaipeda, Lithuania
participate Korea Japan Art festival in Seoul, Korea &Tokyo
teach at International Workshop Festival in Melbourne, Australia |
Excerpts from press review
"Waguri's butoh goes beyond words""As a butoh dancer,
Waguri encounters himself through butoh"
<The Japan Times, 1996 March, Japan>
"His face is covered with white powder, accentuating
their unearthy appearance, evoking images of fear, desperation, eroticism
and ecstasy."
<The Jakarta Post, 1998 September, Indonesia>
"While watching the artist in the stage, audience could
imagine anything---from earthly images to the Space. Some recognized there
the history of the humankind, the others symbols and elements of the Earth:
for one moment he becomes a stone, after a while a tree, an insect, fire..."
<Klaipeda Times, 1999 June, Lithuania>
"Avant-garde art does not mean to lose one's own nationality.
It has tight relationship with particular cultural background. That is what
Waguri's Butoh suggests, and why the presnter put his performance program
on stage."
<The Central Daily Times, 1999 June, Korea>
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(c)2006 YUKIO WAGURI-Butoh Kohzensha
2-22-1-105 Nishimachi Kokubunnji-shi Tokyo, JAPAN 185-0032
Tel:(+81)-425-80-6152 Fax:(+81)-425-80-6153
<INFORMATION about CD-ROM"BUTOH KADEN">
e-mail : butoh@otsukimi.net |
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